
While it may or may not be “the best documentary of its kind in years,” Nightmares in Red, White and Blue is certainly the most comprehensive. Covering almost one hundred years of American horror film history, Nightmares is not a film you watch so much as absorb. It deserves its own study guide, and that’s exactly what I found on the film’s official website. God I love living in the future, don’t you?
It not even a film, really. More the backbone of a college course…or a whole wing of some major university department. Plus it’s got Lance Henriksen as Our Humble Narrator and if ever there was a man chosen by prophecy to narrate this kind of stuff, it’s Frank Black. “Yea, verily, one will be born among them with a face like an Arizona relief-map and the voice of gravel under foot. And he shall narrate horror film documentaries, because that’s certainly better than slumming in a wasteland of straight-to-DVD indie-horror…”
So the “best documentary of it’s kind in years” begins with Frank Black reading our liturgy: Continue reading Nightmares in Red, White and Blue: The Evolution of the American Horror Film (2009)

The Yes Men, a not-so-gruesome twosome of Mike Bonanno and Andy Bichlbaum, began their adventures in “identity correction” with a wit, a prayer, and a web site, gwbush.com. Back in 1999, Bonanno and Bichlbaum turned their little domain into the preeminent piece of web-based anti-Bush satire. The Bush campaign, like any good political hit squad, responded with Cease and Desist orders and pitched a bitched about gwbush.com to the Federal Election’s Commission. This generated a minor media kerfuffle for the Governor and a bit of free publicity for Our Heroes.
In the summer of The Year 2000, my parents and I embarked upon a European Vacation. After two nights in Paris, circumstances found us in the quiet little town of Bois (pronounced just like it’s spelled…as long as you’re speaking through a mouthful of yogurt). With a few hours to kill before the restaurants opened, I flipped on the TV and found Manufacturing Consent, the almost-three hour documentary profile of MIT Linguistics Professor Noam Chomsky. Filmmakers Mark Achbar and Peter Wintonick followed the man around forĀ four years, taping talk after talk in a variety of countries. They also managed to dig up hours of archival interviews from as far back as the 1960s. All of which is cut-n’-pasted into a one hundred sixty-seven minute primer for anyone too lazy to pick up one of the man’s many (many, many) books.
It’s easy to forget that, once upon a time, all the talking heads dismissed Michael Moore as a “comedian.” God only knows why. There are very few ha-ha moments in Roger & Me…unless the slow, painful death of a community strikes you funny.