Tag: Daiei

  • Gamera vs. Guiron (1969)

  • Gamera vs. Viras (1968)

  • Gamera vs. Gaos (1967)

    This is the exact midpoint of Gamera’s original (or “Showa Era”) film series. Not chronologically, or in any other terms material, but in terms of tone. This is the point where everyone at Gamera’s home studio, Daiei Film, gave up on the daikaiju genre as anything other than a cash cow. You can barely blame […]

  • Gamera vs. Barugon (1966)

    Gamera vs. Barugon is the high point of the original Gamera franchise. After the (relative) success of Daikaiju Gamera, the far-sighted and responsible men of Daiei Studios could have carried on, as their fellows at Toho have for years, mining the tried and true formulas of the giant monster genre to wildly varied, but none-the-less […]

  • Gamera 3: The Revenge of Iris (1999)

    Until 1995, Gamera was the joke: about as low as you could go in the land of Giant Monsters…unless you went to the real out-of-the-way backwaters, like Hong Kong, or South Korea. He was, at best, a Godzilla rip-off, and even nerds like us look down on those. The fire-breathing clown palled around with the […]

  • Gamera 2: Advent of Legion (1996)

    A large meteor Falls to Earth near Sapporo Then the fun begins As far as director Shusuke Kaneko is concerned, “Gamera 2 focuses on the war aspect of giant monsters.” A “kaiju big battle” is, for once, the main focus of a giant monster film. How revolutionary. There’s nary a moment spared for the idiotic, […]

  • Gamera: Guardian of the Universe (1995)

    Looking back, Gamera’s rebirth was almost inevitable. History repeats itself and the movie industry eats its dead. Inspired by the success of the modern Godzilla films (beginning with 1984’s Godzilla and ending, on a dower, cliffhanger-note in 1995’s Godzilla vs. Destroyah), Daiei brought their own terrible terrapin out of retirement exactly nine months before Godzilla’s […]

  • Gammera the Invincible (1965)

    Though he began life as a humble Godzilla rip-off in a land and time glutted with them, Gamera would come to symbolize everything that went so horribly wrong with the Golden Age of daikaiju cinema. But let us not tell sad stories about the death of kings just yet…like his more famous cousin/industrial competitor, Gamera […]