Tag: Richard Maibaum

  • Licence to Kill (1989)

    By now, EON Productions had these Bond films running on a rock-solid two year schedule. Writers Richard Maibaum and Michael G. Wilson seemed to have hit upon a winning formula: fuse the few remaining pieces of Fleming’s short stories together with plot elements “torn straight from the headlines of today’s newspapers.” This served the twin […]

  • The Living Daylights (1987)

    Introduction: Why Novels Are Better Than Films (Bond) Enter Timothy Dalton, to the collective dismissal of a generation. Not my generation, mind  – I was four at the time and at least a year away from achieving what I’d call “consciousness.” I speak of the previous generation of Bond fans Roger Moore created with his […]

  • A View to a Kill (1985)

  • For Your Eyes Only (1981)

    After Moonraker pulled in more money than God, James Bond’s producers could have pushed the envelope even further into self-parody and silliness. Thank your personal gods they didn’t and the Guy Hamilton/Lewis Gilbert aesthetic of tension-free action scenes, idiotic Bond girls and villains unworthy of their gorgeously sets/lairs finally checked out with the Carter Administration. […]

  • The Spy Who Loved Me (1977)

    “Art from adversity” is a tired cliche at this point, casually bandied about by all manner of creative arts professionals and self-appointed self-help gurus. If those people every wanted a Bond movie to back them up, they could do a lot worse than The Spy Who Loved Me. Nothing went right with this and it still […]

  • The Man with the Golden Gun (1974)

    Eleven James Bond novels and one short story collection reached store shelves before their author, Ian Fleming, shuffled off this mortal coil in 1964. The Man with the Golden Gun was one of those unfortunate books you sometimes see after bestselling authors kick it: a rough, unfinished work with no real meat on its bones, […]

  • Diamonds Are Forever (1971)

    Never say never. Connery shouted it from every rooftop he could find during and after the production of You Only Live Twice. When Eon came begging him back he took a page from SPECTRE’s playbook and extorted the largest amount of money anyone had ever received for a lead role up to that time, officially beginning our modern Lead […]

  • On Her Majesty’s Secret Service (1969)

    Like I said, To this day I wish Connery had stuck around for one last swan song. Bond fans could’ve avoided a whole lot of heartache… But then again, maybe not. I like Connery, but not the bored, sick-of-it-all self-parody he became by the time he filmed You Only Live Twice. So I might as well confess: […]

  • Thunderball (1965)

    “Well…can’t win them all.” Way back in my Halloween 4 review I half-joked that, in the vast multiverse of franchise films, only Star Trek and Godzilla have managed to field strong fourth entries. I was immediately “well, actually”-ed by friend of the site David Lee Ingersoll‘s contention that Thunderball “isn’t bad.” Shopping this critique around, I realized […]

  • Goldfinger (1964)

    “Sir, I’m aware of my shortcomings. But I’m prepared to continue this assignment in the manner you suggest…if I knew what it was about. Sir.“ And so we come to the production model: James Bond v. 3.0 Alpha. Current series producer Michael G. Wilson has said they start off every film trying to make the […]