Return of the Podcast from the After Movie Diner

No, I’m not dead, I’m just on vacation, thousands of miles from my equipment and the numerous films on my To Review list. That’ll continue for (at least) the next eleven days.

In the meantime, enjoy this episode of the After Movie Diner podcast, in which host Jon Cross and I discuss three DIY superhero films you might’ve seen around here recently: Defendor, Super and my perennial favorite, Kick-Ass. And happy holidays.

Trash Cutlture’s (Post-apocalyptic) Christmas in July (in December)

A review of the Christmas episode That Should Not Have Been from the long-canceled Fox TV series Whoops! Written by Chad Denton of Trash Culture and The Good The Bad and The Ugly fame. Presented by yours truly.

(Originally published July 25, 2011…as the title would suggest.)

King Kong Escapes (1967)

"Damn giant, mutant therapods just don't learn, do they?"
“Damn giant, mutant therapods just don’t learn, do they?”

Why yes, this is my favorite King Kong movie. Is my enthusiasm showing? Well, I’ll do my best to tuck it back as we explore this rarely-mentioned, esoteric bit of late-60s kaiju eiga. It’s about as far from Kong’s first adventure as you can get without being Mighty Joe Young…but that just means this movie’s escaped its prequel’s shadow…right? As far as my inner-twelve-year-old’s concerned, King Kong Escapes kicks ass. The rest of me would still recommend it to you…with the following 3000 words of reservation.

I mentioned how Godzilla vs. The Sea Monster began life as a King Kong movie, similar to how King Kong vs. Godzilla began life as King Kong vs. Frankenstein (which instead spawned Frankenstein Conquers the World). Behind Sea Monster and tonight’s film you’ll find a 1966 collaboration between Japan’s Toei Animation studio and America’s Rankin/Bass productions, The King Kong Show. As its title and production company credits suggest, the Show was a half-hour animated series reboot of Kong’s origin for an audience of mid-60s kids. So they replaced the ship full of filmmakers with a family of scientific adventures named…Bond…just not that Bond. Continue reading King Kong Escapes (1967)

Trash Culture’s Dr. Who Reviews – The Web Planet (1965)

by Chad Denton

The TARDIS is dragged down by an unknown force to a planet named Vortis that appears completely desolate. While the Doctor tries to counteract the force, Vicki claims she can hear an intense humming noise. Suddenly the TARDIS is attacked by something that shakes the entire vessel. The Doctor is convinced that it’s a natural phenomenon, but Vicki becomes nervous. Ian and the Doctor set out to try to find the cause of the trouble, while Barbara begins to feel the strange urge to leave the TARDIS, an urge that finally overcomes her. Vicki screams for Barbara, which gets the attention of Ian and the Doctor. On their way back, Ian is caught in a web and the Doctor returns to find that the TARDIS along with Vicki is gone. Inside the TARDIS, Vicki sees through a monitor that the ship is being dragged by ant-like beings. Meanwhile Barbara finds herself among three winged aliens called the Menoptra, who interrogate her. Barbara learns that she was under the control of the Zarbi, the Menoptra’s enemies. While the Menoptra debate over what to do with her Barbara escapes, only to be captured by the Zarbi, who turn out to be the same entities that took the TARDIS. The Menoptra, who are scouts sent ahead of an invasion force, try to warn their leaders but are killed by the Zarbi except one, Hrostar, who is taken prisoner. Hrostar explains to Barbara that the Zarbi exercise their control of beings through gold (Barbara was wearing a gold necklace she had received from the Emperor Nero) and that they will end up as slaves. Elsewhere the Doctor frees Ian from the web and together they track the TARDIS to its location. There the Doctor, Ian, and Vicki are all seized by the Zarbi, who take them to an organic structure, the Carcinome, where their master, the Animus, resides. Continue reading Trash Culture’s Dr. Who Reviews – The Web Planet (1965)