If you were alive on planet Earth in 1993, you probably found yourself face-to-face with the work of Michael Crichton. He was fifty-one by that point, and a multiple New York Times bestselling author with a shelf’s worth of fiction and non-fiction to his name. Most didn’t bother looking at them, but some of us did, and through them we learned Jurassic Park was the end point of a thought-line that runs through Crichton’s whole career, possibly his entire life.
To tease that thought-line out, it’s best we step back into the shoes of a thirty-one-year-old Crichton as he attempted to become a full-time filmmaker. It’s 1973, and Crichton’s last two books are doing well, though nowhere near as well as his first real success, The Andromeda Strain. Published in ’69 and made into a movie two years later, Strain contains the seeds of Crichton’s literary obsessions…though neither book nor film are as thrilling as they think are.
Which is probably why his next book, Binary, reads more like an episode of CSI than as an actual Michael Crichton novel (and since it was the last one he published under a pseudonym, that kinda fits). Police procedurals always sell, especially when they can wow the audience with all that fun, new forensic technology modern cops (supposedly) get to play with these days. So Binary became a made-for-TV movie, re-titled Pursuit, with Circhton himself directing. Continue reading Westworld (1973)