While it may or may not be “the best documentary of its kind in years,” Nightmares in Red, White and Blue is certainly the most comprehensive. Covering almost one hundred years of American horror film history, Nightmares is not a film you watch so much as absorb. It deserves its own study guide, and that’s exactly what I found on the film’s official website. God I love living in the future, don’t you?
It not even a film, really. More the backbone of a college course…or a whole wing of some major university department. Plus it’s got Lance Henriksen as Our Humble Narrator and if ever there was a man chosen by prophecy to narrate this kind of stuff, it’s Frank Black. “Yea, verily, one will be born among them with a face like an Arizona relief-map and the voice of gravel under foot. And he shall narrate horror film documentaries, because that’s certainly better than slumming in a wasteland of straight-to-DVD indie-horror…”
I don’t know whether Diary of the Dead was an honestly-bungled attempt to move the zombie movie forward as a format…or a flagrantly half-assed attempt to make up for Land of the Dead. I can’t see George Romaro’s heart. Anything is possible. Making a decent zombie flick only seems an impossible task thanks to my relative inexperience. Dawn of the Dead was the last great hope and that was 1978. The wave crested, and it’s been rolling back ever since we left that mall. Why can no one admit that mall was the last good idea George Romaro had? Why must we have Diary of the Dead?
Framed as a documentary-within-a-movie titled The Death of Death (“a film by Jason Creed”), Diary is, as far as I’m concerned, exactly the type of film George would’ve made had he put together a Dead movie in the 1990s (rather than bang his head against the intractable wall of stupidity that Resident Evileventually became). Full of young, pretty people who’ve never seen zombie movies before, Diary ends up being much less than we’ve come to expect from ol’ George. {More}