Tag Archives: Daikaiju

Gammera the Invincible (1965)

Nothing Freudian about this, is there?Though he began life as a humble Godzilla rip-off in a land and time glutted with them, Gamera would come to symbolize everything that went so horribly wrong with the Golden Age of daikaiju cinema. But let us not tell sad stories about the death of kings just yet…like his more famous cousin/industrial competitor, Gamera began life as a serious apotheosis of the paranoia and insecurity of his age. But even here, at the beginning, we can see his creators at Daiei Studios sowing the seeds of their creation’s destruction.

And speaking of destruction…it’s 1965 again, and despite rising tensions between the Superpowers, someone’s still managed to scare up the funding for an Arctic expedition (chasing  that fabled Northwest Passage, no less). As the film opens, the expedition’s official zoologist, Dr. Hidaka (Eiji Funakoshi), his typically hot assistant, Kyoke (Harumi Kiritachi), and your standard news hound, Aoyagi (Junichiro Yamashiko), stop by an Eskimo hut to warm up and quiz the natives. A formation of toy planes interrupts their welcome. “Russian planes,” Hidaka says. {More}

Anaconda (1998)

Personally, I blame Steven Spielberg. Think about it. Big Steve makes Jaws and look: lots of  giant-animals-eat-people movies glut the screens, sharing much more with the disaster movies of the 70s than any decent daikaiju movie. Predictably, most of them suck. Here’s another one for the barbie. And even though Anaconda isn’t that much of a Jaws rip-off (now, Devil Fish and Up From the Depths, on the other hand. . .) it still blows like a whale.

So there I was, giddy as a schoolgirl over the fact that I finally, finally got HBO. So there I am, back of my chair temporarily attached to my spine, ready to turn my brain completely off for…oh, I don’t know…two hours would be good. Then I spot Anaconda. “Hmmm…there might be a fun way to waste two hours. Giant snake eats people, sounds like a no-brainier to me.”

But wait! a voice in my head gasped. It’s nothing more then another Jaws rip-off! You know it, I know it and a butt load of other critics know it.

“So? Critics have been wrong before.” {More}

Godzilla (1954)

He's his own reading light.On March 1, 1954, fallout from the United States’ Castle Bravo nuclear test on Bikini Atoll rained down on the 140-ton tuna boat  Daigo Fukury Maru contaminating its twenty-three man crew. All suffered from acute radiation sickness and one eventually succumbed. According to the Japan Times, his last words were, “I pray that I am the last victim of an atomic or hydrogen bomb.”

Movie producer Tomoyuki Tanaka considered all this on a plane ride home from Indonesia. His latest picture having fallen through, he flew home facing a hole in Toho Studio’s winter release schedule (which used to be what the summer schedule is today for American studios). In all likelihood, a clutch of manic bosses looking for a hit, fast, waited for him at home. The American monster picture King Kong had just enjoyed a international re-release the previous year, mulching a bumper crop of American giant monster films with all that lovely money it brought in. Including The Beast from 20,000 Fathoms, a film about a giant dinosaur awakened by fictional nuclear testing in the Arctic Circle, which eventually attacks New York City. What if, Tanaka wondered, a giant monster, awakened by the actual American nuclear tests going on in the Pacific Rim, attacked Tokyo? {More}