The Justice League of America, in its most rarefied form, represents a powerhouse of D.C. comics heaviest hitters, originally created as a marketing gimmick in 1960 by that great creator of gimmicks and Godhead of the silver age, the comics writer Gardner Fox. But you already knew that, didn’t you?
With the success The Batman/Superman Adventures in the late ’90s, and the continued dumbing down of Batman Beyond, the production team of Rich Fogel, Bruce Timm, and Paul Dini set to do the Next Logical Thing: get the fuck off the WB (sure didn’t do Buffy any harm) and throw wide the golden gates of their superhero universe. After all, if two heroes could make such a splash in the admittedly-small pond of American-produced superhero animation, think of what seven might do for the network lucky enough to carry it? {More}

So here it is: the final nail in the coffin, the death knell of the Golden Age of superhero movies. As with any artistic Age, it’s boundaries are plastic and open for debate, should any nerd care to distract him- (or her-) self. But you’d be hard pressed to find a nerd who doesn’t view this movie for exactly what it is: the lowest of the low, the scum of the fucking earth, the most useless, servile, pathetic trash that was ever shat out of Hollywood, a town ruled by effete assholes who see not at all wrong with dumping toxic, imaginative waste straight into their target audience’s eyes, so long as there are as many eyes as possible.