Robert Rodriquez earned the deserved love of millions by sacrificing his own precious bodily fluids to make his first film, back in ’92 (when we were still trapped in a room without a view). Ever since, he’s become a one-man production studio, which is apparently all you need to do to win the label of “outlaw” in modern, mainstream Hollywood circles. Rodriquez is now the Quentin Tarantino of Spanish-flavored gangster films: rich and powerful enough to do more-or-less whatever he wants to do, so long as “whatever he wants” involves flogging the corpse of El mariachi. Or From Dusk Till Dawn. Or Spy Kids.

But that’ll be Machette. In tonight’s case, Rodriquez has flogged the corpse of a film he so obviously loves…almost as much as I…though I suspect for completely different reasons. He’s better at it than the army of inarticulate hacks who took a pair of sheers and some gaffer’s tape to the Aliens vs. Predator films. Whatever else you can say about the man, Rodriquez has the Tarantino Eye for Unflappable Talent. Things could’ve (and have) been much worse…but that feels like the faint praise it used to be before I realized how fucked and shitty things really are. (The films of Michael Bay will certainly do that to you.) {More}