Tag Archives: Kelly Hu

Friday the 13th Part VIII: Jason Takes Manhattan (1989)

"Round 1: FIGHT!"
"Round 1: FIGHT!" Portrait of a film critic and this godforsaken franchise.

Or, The One Everyone Hates. And I mean really, really, really hates. That’d be Part V for me, but I understand why everyone pretends that false start of A New Beginning never happened. And I understand the hatred of this…thing.

Seriously, this is Friday the 13th Lite, a cringing, half-hearted attempt to shift the series toward (of all things) respectability. It ended up disappointing everyone from casual movie watchers to the stuffed suits at the top of Paramount’s food chain by exceeding even the most cynical critic’s lowest expectations. Bucking a trend for the series, turned out to be derivative and dull. How did this happen? How did one of the most iconic horror franchises in history sink so low? Continue reading Friday the 13th Part VIII: Jason Takes Manhattan (1989)

X2: X-Men United (2003)

"Well...are you coming?"
"Well...you coming? You do have a movie to star in, you know?"

I went into this farce with no expectations.  In case you haven’t figured it out by now, I’m a natural pessimist. So much of a pessimist I was prepared to write X2 off completely, like all the idiots I criticize for the blatant hypocrisy inherent in their dismissal “comic book movies.” Then the maintenance man comes by at nine in the morning, screwing my sleep schedule all to hell. And he tells me I should see this movie. It apparently “kicked serious ass.”

So off I go to Target. Twenty minutes, two cigs and one neutered anti-theft device later, I returned the proud (if ambivalent) owner of X2, second in what will no doubt be the epic superhero movie trilogy to end all epic superhero movie trilogies. For, like, ever.

As if. I say “ambivalent” whenever I’m faced with something like this…like almost any movie from the summer of ’03…with one notable exception…something that makes me feel anything but united. I love glitz and glamor as much as the next Red Blooded American Male, but I’m getting mighty tired of leaving a movie feeling hollow and gypped. After all, didn’t they used to make movies with something more than a few hundred million dollars of special effects? Something that engaged its audience? That challenged us? Was that just a dream? I swear they were still doing it a few years ago… {More}