Here’s another great example of a good idea handled badly by a major studio more interested in selling toys than selling a movie. Dick Tracy didn’t do as well as Disney’s upper management hoped, at least not on the merchandising front. Michael Eisner’s mouse house – eager to make that up, and hopefully copy Warner Brothers success with the Batman franchise – bought license rights for this particularly independent comic book property because of its high-concept and oodles of nostalgia.
The Rocketeer is a deliberate homage to movie serials, pulp-novels, and comic books of the early-to-mid 20th century. Its steeped in cameos, in-jokes, and subtle references fans of its source material or time period (or both) will readily appreciate. Interestingly enough, Dick Tracy, which went out of its way to look like a comic book, could help but wind up feeling like a cheap, Disney-fied gangster movie. The Rocketeer, which goes out of its way to look like a big-budget movie (even if the budget wasn’t as big as it needed to be) feels more like a comic book done well.
Problem is, in order for a kid from 1991 to find The Rocketeer anything but slow, kitschy and boring, that kid had to have my parents…or the rough local equivalent. An adult figure kind enough to pass on their appreciation for the Golden Ages of cinema and Sci-Fi literature. You could say I was preconditioned to like this film, but does The Rocketeer hold up today…? Continue reading The Rocketeer (1991)