After the Pearl Harbor review – which I should’ve reposted for Bayhem, but ah well – some of you requested I review a “good” Cuba Gooding Jr. movie. Well, the jokes on you there, since Pearl Harbor wasn’t a Cuba Gooding Jr. movie at all. Not even a bad one. But how did the Academy Award Winning star of Jerry Maguire wind up slumming in a Michael Bay movie, anyway? What sad, twisted tale of modern Hollywood kept this rich young black man down?
Well, to answer that, we have to look at A Murder of Crows. Released three days after Armageddon, in July, 1998, it promptly sank into obscurity, one of the first films to discover Michael Bay’s shadow is actually the manifestation of a trans-dimensional void, a howling vacuum of Suck from which no good can possibly escape. There’s the film’s main problem, right there. Everyone who might’ve been interested in seeing Cuba’s post-Oscar follow-up held onto their money and went to see Lethal Weapon 4 (released the following weekend) instead. We were all suckered, myself very much included, and Cuba (for all his money, talent and money) got screwed right along with the rest of us. Was a time when Jet Li’s presence would get me anywhere, I confess. Continue reading A Murder of Crows (1998)