Immediately, you should ask yourself, What the fuck is up with that title? Are we going after that Quentin Tarantino demographic, Warner Brothers? Because if you are, you missed your chance when you fucked up Superman/Doomsday, back in 2007.
So you look this up on IMDB, because you’re a lazy hack who made the mistake of getting a “real” job back in 2008 instead of reading comic books, which would’ve been more fulfilling anyway, both spiritually and financially. That’s when you find this is based on an Action Comics arc by now-designated wunderkind Geoff Johns. And your heart sinks at the sight of his name. Or it should. Mine certainly does, because Johns is a mixed bag of a comic book writer if ever there was one.
My more conservative colleagues (the ones who still recoil in horror whenever Precious Bodily Fluids appear in comic books – after all, The Children might be watching, and these people can’t go a day without patronizing The Children – all of them, everywhere, including you; yes, you, because you are A Child if you don’t immediately agree with them and submit to their preferred proto-fascist Strong Father archetype) like to criticize his lack of restraint and habit of killing or sidelining characters he doesn’t like. Every writer does this to some degree, but Johns captured himself a fan base by deliberately doing it in the name of “fixing” certain excesses of the 1990s. Especially when it came to Green Lantern. Continue reading Superman: Unbound (2013)→
Whenever I get sick of dealing with live action superhero films and the all-but-inevitable disappointment that entails, I look to animation and shout, “Save me.” Specifically Warner Brothers, who’ve looked down and whispered “No,” more times than not. That’s what happens when the marking department dictates what we’ll get, and when. Given there’s a new (live action) Superman movie in production at the time of this writing, here comes the latest animated one, Superman vs. The Elite. Will it rescue us from the crushing mediocrity of things like Justice League: Doom or Batman: Year One? Or will it become what it hates in the name of The Greater Good?
Oh hell, you guys know me, I can’t keep a secret. Not only is it better than Doom and Year One, it’s the second best piece of Superman animation we’ve seen since the cancellation of his last cartoon series…the first being All-Star Superman, of course.
Not that you could tell from the fan reactions. The happy few who stoop to view animated features might be shocked to learn this, but some of my fellow Superfans found All-Star wanting. Few outright hate it, but it’s still a too-short adaption of an twelve issue miniseries, large chunks of which were excised to fit the marketing-mandated 76-minute run time. If you want to “premiere” your film on the Cartoon Network, seventy-six minutes is the perfect length. But as I’ve been saying for five damn years (at this point) arbitrary length restrictions won’t make your film any better. If the WB wanted to do that they’d tell Cartoon Network’s ad-buyers to fuck themselves and make something feature length. It’s not the 40s anymore, guys. You can have a Third Act that isn’t rushed. Continue reading Superman vs. The Elite (2012)→
Reviews with swear words and sociopolitical analysis from David DeMoss