It’s amazing how unmemorable a film like this can be. Twenty-four hours and it vanishes from your mind like a bad dream. Oh, to wake in a world where Marvel Studios did not chose to produce Fantastic Four films in conjunction with 20th Century Fox.
At once flagrantly pandering and incoherently pretentious, Rise of the Silver Surfer is undeniably worse than its prequel. All thanks to production logic that threw aesthetics under the bus in favor of expediency and marketing tie-ins. Got to crank them out quick before the marks get wise, see? And we are getting wise, though the general mass (who still, even after all this, refuse to read comic books) continues to throw cash at whatever crap’s offered us. And so it goes. {More}
I’ll be honest with you: I never gave a toss about the Fantastic Four. I know that’s heresy to a certain number of nerds and I don’t care. Their family comradeship, good natured bickering, and overriding message of wholesomeness never sat well with me. Like Pizza Hut pizza, its initial beguiling flavor disguises stomach-churning ookiness. Leave it to Hollywood to pick out the Four’s most nausea-inducing elements and assemble them into an annoyingly bland film.
Credit where it’s due: Stan Lee and Jack Kirby revolutionized the superhero team back in the 1960s, elevating the genre to a new era of psychological realism…even as they stuffed it with alien invasions, world-conquering dictators, and evil siblings/parents/college roommates inexplicably returned from the dead. For my money, Lee and Kirby did a much better job of dysfunctional superhero family-creation two years later, when they used what two years of churning out comics had taught them to create the original X-Men… {More}
For a moment, there was hope