Alien invasions are as old as literature. I’ve read versions of the Biblical flood myth that sound more like the plot of tonight’s film than any other part of the Old or New Testaments. Yet ever since the success of George Pal and Byron Haskin’s War of the Worlds (released four years prior to our subject), vicious extraterrestrials have tried to conquer Earth at least once a year, despite repeated, and often embarrassing, setbacks.
Case in point: The Mysterians, first of the many, many, many alien races who threatened Toho Co.’s Japan (and, by extension, The World) with enslavement and annihilation throughout the 1950s, 60s and 70s. And while superhero and space opera films on all sides of the Pacific had long ago burned over this particular district of science fiction, The Mysterians marks the first successful fusion of the alien invasion motif with Ishiro Honda’s daikaiju formula. The result is, to say the least, mixed. But it’s still head and shoulders over what would come after Continue reading The Mysterians (1957)