Things may be different in Japan, but over here in the USA only a bare handful of superheroes were born in movieland. Most come out of comic books, something that astonished me back in 1990 and still astonishes today. You’d think superheroes and the motion picture would go together like peanut butter and a consenting adult sexual partner. Thankfully, over the years, a good crop of people have shared this view and worked their butts off to make their “original” superhero productions happen.
One of those people is Sam Raimi. After the success of Evil Dead 2 proved people couldn’t get enough of Raimi’s morbid, slapstick “humorror,” he could’ve sat back on his laurels and made Army of Darkness. Hell, he could’ve reshot the same story (again), called it Evil Dead 3: The Dead Shall Rise and people would’ve loved him for it. Some of us expected just that from Army of Darkness, in fact. Continue reading Darkman (1990)